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That feeling, I realized many hours after leaving the building, felt to me the very work a poem requires, and the blank of the page isn’t wholly apart from the blank of light. It was if each square of light meant one had to learn to see by that light and in that light learn to think again. I stepped from square to square, feeling in each arrival no sequence, no consequence, but the invitation to begin again the very same consideration-though of course, in just those few feet of walking in darkness, the same consideration had already become impossible. Maybe I should begin by saying what inspired the poems-some strange almost instantaneous sense of responsibility-was walking into Robert Irwin’s “Untitled (dawn/dusk)” and seeing 18 squares of light cast down on the dark concrete floor. These poems can be described with the phrase you use about the site that inspired them they are, as you say about the physical location: a site of “profound invitation.” Yet this is also true about the poems, as you’ve noted, “the poems form their squares by certain strict procedures.” Can you discuss the interesting paradoxes and aporias organic to the truth that often “profound invitation” (and I’d add “inspired leaps of insight,” which I see in your work) arise from limitation, from strict and restricted necessities? Evanescent and beguiling, each poem’s ever-shifting surface, laced with tropes that echo and repeat, by their very poetics articulate the feeling that most have experienced-that what it is to be human is dazzlingly, tantalizingly near, and only through more acute attention to the texture of existence will we finally comprehend it.ġ …I’m delighted to be publishing another book of yours! VARIATIONS ON DAWN AND DUSK will be our second pocket series book with you. The spare, untitled poems of Dan Beachy-Quick’s Variations on Dawn and Dusk offer an extended ekphrastic meditation on the book’s cover: an image of Robert Irwin’s windows of light infinitely reflected in a dark room…These poems are about as close to music as you get on the page. These structures form a pattern, a thoughtful consistency through which we are invited to move and meditate with each variation of light. Rhythmic procedures inversely link the first and last words of the first and last lines of each poem and tie the number of lines to the number of syllables in the first line. Here, the very foundation of our vision-light-forms the vocabulary from which these poems are built.īuilding from Irwin’s use of rhythm and structure, the poems in this collection are constructed with an architectural framework. The poet’s fervent observations lead us in cycles of meditation, moving with the light that slides through the surfaces of the installation. Through this deeply engaged ekphrasis, Dan Beachy-Quick uses language to participate in the overpowering elegance of Irwin’s structure. Built on the footprint of the town’s old hospital, Irwin’s permanent installation is a remarkable structure with walls, windows, and screens that both capture and are taken over by the sun’s changing light. Acting as poetic records of light, the poems in Variations on Dawn and Dusk follow the sun as it warms, cools, colors, and shifts the space of Robert Irwin’s untitled (dawn to dusk) in the desert of Marfa, TX. ℗ 2018 Capitol Christian Music Group, Inc. 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Porsche 928 BMW 732i, Ex-Roald Dahl Citroën 2CV6 Dolly TVR Tasmin 280i Coupé Mercedes-Benz 380SL Roadster Ford Mustang 289 Coupe Bentley Mk. This example is a much coveted and beautifully maintained original motor car, offered with supporting documentation, and is priced attractively to sell. These iconic vehicles have a strong following in the UK today, and in particular the Brooklands Motor Museum do much to promote American Cars and continue to gather support for muscle cars of the 60's and 70's. From the cockpit, the driver enjoys open-top driving and a wonderful exhaust note in a car which epitomises the enjoyment of American Muscle Car motoring. This striking red Firebird is a much sought-after matching numbers car powered by the more desirable V8 engine: the 326 CID 5.3L, 5360CC with a two-barrel carburetor produces 250 hp delivered through the accurate auto gearbox. While primarily Pontiac-powered until 1977, Firebirds were built with several different engines from nearly every GM division until 1982 when all Pontiac engines were dropped in favor of corporate units. The Pontiacs were, for the most part, powered by various V8 engines of different GM divisions. This coincided with the release of the 1967 Mercury Cougar, which shared its platform with another pony car, the Ford Mustang. The Firebird was introduced the same year as its platform-sharing cousin, the Chevrolet Camaro. The Pontiac Firebird was built by the Pontiac division of General Motors between 19. This is what I’ve drawn on for this list - the songs I have relied on make sure that I get the job done effectively, with as much collateral damage to the club as possible.Īs a final point, although reggae and dancehall have been the core of Jamaican music for over 60 years, the chart lends itself in the main to the area of digital dancehall. I can confidently challenge you to hear Chaka Demus & Pliers’ ‘Murder She Wrote’ and not realise that the party is about to start! It’s undeniable that the drums used in dancehall are some of the most infectious around they force involuntary body movements by anyone in close proximity to a speaker. There are times that as a DJ I feel I have the cheat code to making the ravers happy with the music that I represent. But what I have drawn on most is the experience of playing the music where it sounds best - in the Dance Hall. Some of these tales are why I have chosen tracks to be in this list. Even lyrically, what triggers me to raise my hand in the air with a two-finger gun salute is controlled by an emotion or feeling that I am going through at the time.ĭancehall music has been the backdrop that added the colour to so many stories of love, danger, envy, freedom, justice, dancing and, of course, marijuana. How others absorb the basslines and digital drums while in their own world will be different to how I do in mine. The fear of not getting it correct because of difference in opinions rested heavily on my thoughts. Dancehall is a lifestyle!īeing asked to complete a list of the 100 most important dancehall tracks ever was a frightening proposition for many reasons. The way we talk with slang and patois is dancehall. The pull up, wheel up, spin-back is dancehall. The kill switch or filtering of basslines to create a drop is dancehall. As a DJ, I’ve played most if not all genres of music on radio and in clubs worldwide, but dancehall has always been at the forefront - it’s who I am.ĭancehall is not just about the music it’s a culture, a way of life, language and fashion. Then after a couple of additional week it started to grow in length and I was amazed and very excited.before I finish the drink and the soap my penis had grown an additional two inches.Dancehall music has been the driving force in my career. Within about 2 weeks I had a noticeable increase in the girth of my penis. I decided to try Doctor Akhigbe herbal medicine after all the reading and researching that I have done.I saw a testimony " Joe" about doctor Akhigbe Herbal Medicine Since there is a Money Back Guarantee, I give him a trial what did I have to lose? I couldn't believe the results I was seeing after drinking the Natural Herbal Medicine and Herbal Soap to be Rubin my penis! he sent to me through DHL courier delivery service. I am a man that is past my sexual prime time and my sexual performance has a lot to be desired. I got very depressed when I read this, because unfortunately I was not naturally blessed with a penis that was big enough to arouse my sexual partner or past partners. All of the medical sites that I have visited stated that none of the herbal supplements would ever help increase the size of a penis. Moving Out Of Babylon Riddim aka Try Me (1999)įor years, I have read and seen the advertisements in the mass media about all of the penis enhancement pills and thought that they were all scams or gimmicks. Level Di Vibes Riddim aka Cabin Stabbin (1999) Handle The Ride aka Lecturer Riddim (1997)Įvery Day Is Just A Holiday Riddim (1998)Īfrica aka Sabbath Meditation Riddim (1998) Rocky Marciano Riddim (Black Scorpio 1997)ĭanger In Your Eyes Riddim (Digital B 1997) Handsworth Revolution Riddim (Penthouse 1995) No Woman No Cry Riddim (Xterminator 1995) Sensimelia Ride Riddim (Burro International 1995) Ice Cream Sound Riddim aka Real Rock Riddim (1992 Jammys)Ĭuss Cuss aka Double Trouble (Steely & Clevie 1992)Ĭould You Be Love aka Big Up (Signet 1992)Ĭuss Cuss aka Mad Fi Dead (Penthouse 1992) Two Friends - Ting And Ting Riddim (1991)īody Workshop aka Batty Rider Riddim (1992 Penthouse) You Dead Now Riddim Full (1991 Shocking Vibes) Run Down The World Riddim (1991 Penthouse) More riddims to come, as this list will be updated periodically. It is a kb AND an interface fully capable of everything one would need a midi keyboard for ever Unless you're using an interface, directly connecting an instrument to the pc causes latency and delayed sound which makes it kinda unusable. The real issue however with direct connections is latency. If you want to make your composing life easier, having a MIDI keyboard with USB capabilities will help a lot. VSTs have limitation though, such as a Guitar VST won't ever be good as a real one for example.įor Basic Composition, you can use Anvil Studio or some sort and start with MIDI then use FLStudio/Reason/Reaper for Mixing. You first need to learn Music Theory, after that it's either you go full VSTs or use real instruments. It depends on how serious/the quality you want to do with composing. (Also, WHY IS THIS SITE STILL ON THE CENSORED LIST?) I'd still inform them that I'm using their music, naturally. So, I wouldn't need to, they already gave permission by doing this. The resources on NG's are free to use for any works without permission for Non-Commercial use via Creative Commons License. You can't tell for sure, if the artist is happy with the way you are using his music (or other ressources)? It should be free for him to decide to let you use it or not. Even if you are not earning anything from it. if you distribute it, if commercially or not, I think you should ask for permission. Then if I plan to sell it commercially, ask the permission of everyone's music I used and get the a-okay. One of the things I like to do is fine some good music on a site like NG and use it for my Non-Commercial projects. If you plan on doing it commercially, you'll need royalty free music, or music people give permission for anyone to use. Ever.:As long as you don't plan on selling the game, you can use almost any piece of music you want in your own personal game. This pack is for use in RPG Maker Series or the engine of your choice.Originally posted by Worst. * 2 Bonus popular classical songs (both in the public domain) If you’ve been wanting some classical-inspired tracks for certain cutscenes or just love Murray’s musical melodies, pick up Classic Fantasy Music Pack Vol 3 today! And if you really like the vibe of familiar songs in your games you might also like Classical Favorites, an entire pack of famous orchestrated classical pieces! Or create a cutscene where words aren’t needed with the haunting piano of ‘Gymnopedie No 1’ playing as a beloved party member is laid to rest. Battle normal foes while encouraging tunes bounce around, and make sure your players know it’s time to get serious when the music shifts to the racing electric guitars of the boss theme.Īnd if those tracks aren’t classic enough for you, this pack also includes some famous orchestral classical pieces remade to fit into your game! Have your heroes compete in a duel of wits while violins strum the recognizable tune of ‘Carmen Habanera’, or use it to set the mood during a noble’s grand party. Fill out more of your game’s soundtrack with the spectacular tracks of Classic Fantasy Music Pack Vol 3! Murray Atkinson is back with another pack of music, this time with 13 BGMs ranging from angelic tunes that turns a forest pond into a mystical center of power to headbanging rock when your heroes face off against a monstrous boss! Seek out adventure to the strong drumbeats of ‘Soaring Skies’, explore mysterious locals to the creeping strings of ‘Spiralling Mysteries’, and wander familiar hometowns to ‘Daydreaming’s peaceful piano. Yes, the Bricksville map will already receive an update.ĩ. Not yet, that's something for the next update.Ĩ. is currently not very thought out for example.ħ. I want to make them more polished and functional than before, vehicle spawning etc. Hm we will see, haven't thought about that yet.Ħ. However I don't know enough about the technicalities involved in modding to say how it is going to work.ĥ. I am redoing the code in a way that is more modding friendly, so that assets are discovered in certain folders rather than there being a manual list that you cannot modify. I will definitely be doing bug fixes and such, maybe add some bricks here and there, but probably no huge updates anymore.Ĥ. Possibly in the future, not thinking about it right now.ģ. There are still some technical challenges left, so we will see.Ģ. I have already started redoing the aerodynamics from scratch, I want to make them more realistic and predictable. Hello Tom, I recognize your name of course )ġ. That's all for now, thanks for working on the game! Keep up the good work you do daily, we appreciate any new feature you add to this fun game. Do you have more features in mind than there already are in the roadmap?.Are there new improvements to current maps coming in the next update?.Will there be new attachments coming for guns in the new update (not including the new iron sights)?.Are you planning on doing changes to modes like Battle, Conquest and Zombie mode apart from the new features already added like modifying your gun, etc?.Is there going to be an event to celebrate the new update coming early next year?.How is the mod support going to be? Are you going to give tools for making levels? Will the code be easy to open and modify by yourself? Are modded maps going to stop replacing vanilla maps? If so, how is it going to work?.After the end of early access, are you planning on doing frequent updates later? If so, for how long?.Are you planning on adding new settings to engines? Will there be new engines we could use?.What are your plans on improving aerodynamics in the game? Are you going to try keep the current physics and improve them or just rework them from scratch? If not, then how?.Hello, god Fluppi! I'm Tom, mostly known as Tom., and I have a couple of questions I would like you to answer. Allow for that, and then add the two half-equations together.īut don't stop there!! Check that everything balances - atoms and charges. It is obvious that the iron reaction will have to happen twice for every chlorine molecule that reacts. That's easily done by adding an electron to that side:Ĭombining the half-reactions to make the ionic equation for the reaction You need to reduce the number of positive charges on the right-hand side. There are 3 positive charges on the right-hand side, but only 2 on the left. The atoms balance, but the charges don't. You know (or are told) that they are oxidised to iron(III) ions. Now you repeat this for the iron(II) ions. The final version of the half-reaction is: That's easily put right by adding two electrons to the left-hand side. The left-hand side of the equation has no charge, but the right-hand side carries 2 negative charges. In the chlorine case, all that is wrong with the existing equation that we've produced so far is that the charges don't balance. Hydrogen ions (unless the reaction is being done under alkaline conditions - in which case, you can add hydroxide ions instead) Now you have to add things to the half-equation in order to make it balance completely. If you forget to do this, everything else that you do afterwards is a complete waste of time! The first thing to do is to balance the atoms that you have got as far as you possibly can:ĪLWAYS check that you have the existing atoms balanced before you do anything else. In the chlorine case, you know that chlorine (as molecules) turns into chloride ions: You start by writing down what you know for each of the half-reactions. In building equations, there is quite a lot that you can work out as you go along, but you have to have somewhere to start from! You would have to know this, or be told it by an examiner. In the process, the chlorine is reduced to chloride ions. In reality, you almost always start from the electron-half-equations and use them to build the ionic equation.Įxample 1: The reaction between chlorine and iron(II) ionsĬhlorine gas oxidises iron(II) ions to iron(III) ions. That's doing everything entirely the wrong way round! In the example above, we've got at the electron-half-equations by starting from the ionic equation and extracting the individual half-reactions from it. Working out electron-half-equations and using them to build ionic equations Note: If you aren't happy about redox reactions in terms of electron transfer, you MUST read the introductory page on redox reactions before you go on. These two equations are described as "electron-half-equations" or "half-equations" or "ionic-half-equations" or "half-reactions" - lots of variations all meaning exactly the same thing!Īny redox reaction is made up of two half-reactions: in one of them electrons are being lost (an oxidation process) and in the other one those electrons are being gained (a reduction process). This shows clearly that the magnesium has lost two electrons, and the copper(II) ions have gained them. You can split the ionic equation into two parts, and look at it from the point of view of the magnesium and of the copper(II) ions separately. There are links on the syllabuses page for students studying for UK-based exams. You should be able to get these from your examiners' website. How do you know whether your examiners will want you to include them? The best way is to look at their mark schemes. Practice getting the equations right, and then add the state symbols in afterwards if your examiners are likely to want them. This topic is awkward enough anyway without having to worry about state symbols as well as everything else. Note: I am going to leave out state symbols in all the equations on this page. When magnesium reduces hot copper(II) oxide to copper, the ionic equation for the reaction is: Take your time and practise as much as you can. It is a fairly slow process even with experience. This is an important skill in inorganic chemistry.ĭon't worry if it seems to take you a long time in the early stages. This page explains how to work out electron-half-reactions for oxidation and reduction processes, and then how to combine them to give the overall ionic equation for a redox reaction. WRITING IONIC EQUATIONS FOR REDOX REACTIONS Writing ionic equations for redox reactions kefla rule 34 comic end users aren't big commenters, apparently. 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